For Part 1, click here!
Further exciting research revelations from the Schaffel College for Industrial Pasteboard Paraphernalia in Ryffling, Denmark on the magic tricks which artists shown on our familiar court cards have supposedly been performing for up to hundreds of years, yet unnoticed until today!
King of Diamonds: Palming Cards
This image was more tricky to decipher than the others for the researchers, as it was hiding its secret in plain sight! But team member Liam Erdnus finally cracked the code: The artist’s hand is evidently shown empty, yet the body profile (necessarily turned sideways) and the familiar position of the flat hand and the fingers tightly pressing against each other can only lead to one scholarly conclusion: This artist is an early master of the back palm, and he is just about to make a playing card (or even more?) appear!
According to research fellow Grennart Leen, it is not unlikely that this particular image served as the inspiration for young Harry Houdini to bill himself as the “King of Kards” in 1895. He also sharply rejects the notion recently suggested by Prof. Silke Kloeppelt from the University of Yarnmouth that the diamond pip is supposed to represent a red handkerchief which has just appeared out of the the artist’s empty hand, unfolding in flight. “This idea is really off-center! It escapes me how any serious scholar of our pasteboard art could come up with woofledust like that,” Leen says in the upcoming paper in Glibecière.
The Jack of Hearts: Color-Changing Silk
This image has fooled and mislead many a scholar — until now! Traditionalists among cardboard historians have always held up the romantic belief that the Jack of Hearts represents a sensitive, woeful lover writing moanful poems to his mistress crush with a quill. Duh!
Magic researchers know better now. Just look at the tight grip of the hand: “You don’t hold a feather in an unnatural position like that when you want to write something,” explains junior researcher Reinhard Pithart-Muellinger. Thus, the closed fist likely covers an early dye tube, and what we see is the artful display of two different silks as one in order to perform the now classic color-changing silk trick!
It is wisely assumed that the lower tip of the silk was once printed in red color to emphasize the effect in action, but this detail obviously got lost over time in the declining craft of fine printing of playing cards, as it moved on into the age of less careful mass production.
Check out Part 3 now with more exciting discoveries!