Elsewhere I have already written (in German) about a fine recent art exhibition in Munich and Aachen on “Lust for Deception”–and thus manipulating perception–through the centuries. (You can see some pictures here.) It was a fitting tribute to include magician and movie pioneer Georges Méliès with a number of short, deceptive stop-trick clips which ran nonstop on a special screen.
But later, I was much more surprised to discover an amazing painting by the same artist in the huge trompe l’oeil section. I must admit that I had not been aware of his other immense talent. Had you? His “Self-Portrait of the Artist” (below, exact date unknown) certainly deserves special mention, both out of itself and in the light of his real/reel profession.
I have asked The Great Googelini for advice, but even he could not conjure up a significant number of other “traditional” paintings by Méliès. But as I learned here, he apparently aspired to work as a painter early on. Instead, he became a magician and a visionary pioneer of filmmaking who painted his own fanciful scenery and smokescreens.
And, as they say, the rest is history.
As I’ve just learned from French fellow magician and Méliès expert Frédéric Tabet at EMHC, the attribution of this painting to him (Méliès, that is) is highly questionable in the light of recent research. For example, the person depicted does not even remotely look like Méliès, nor does the signature match… So let’s be careful here!
By the way, Frédéric has an academic book out (in French) about Méliès and the relations of magic techniques and cinema in its early years. If you can read French fluently, you may want to check this out.